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Friedrich von Amerling Girl in Yellow Hat Date 1835(1835)
Medium Oil on canvas
Dimensions Height: 58 cm (22.8 in). Width: 47 cm (18.5 in).
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Friedrich von Amerling Emperor Franz I 1832(1832)
Medium Deutsch: Öl auf Leinwand
Français : huile sur toile
English: Oil on canvas
Dimensions 260 x 164 cm
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Friedrich von Amerling Bildnis der Elise Kreuzberger 1837(1837)
Medium Deutsch: Öl auf Leinwand
Dimensions 57 x 45 cm (22.4 x 17.7 in)
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Friedrich von Amerling Bogumil Dawison as Richard III oil on canvas
61 x 50 cm
19th century
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Friedrich von Amerling Little girl 1838(1838)
Medium Oil on canvas
Dimensions 34 cm x 28 cm
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Friedrich von Amerling In Traumen versunken 1835(1835)
Medium Oil on canvas
Dimensions 55 cm x 45 cm
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Friedrich von Amerling Knabenbildnis 1830(1830)
Medium Oil on canvas
Dimensions 46.5 x 37 cm (18.3 x 14.6 in)
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Friedrich von Amerling Bogumil Dawison as Richard III oil on canvas
61 x 50 cm
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Friedrich von Amerling Madchen mit Strohhut Date 1835(1835)
Medium oil on canvas
Dimensions 58 X 46 cm (22.8 X 18.1 in)
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Friedrich von Amerling Die Schauspielerin Betti Probst Oil on canvas, 135.0 by 102.0 cm .1858
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Friedrich von Amerling Portrait of Marie Paterno 1881(1881)
Medium oil on canvas
123,5x95,3cm
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Friedrich von Amerling Portrait of the Danish poet Adam Gottlob Oehlenschlaeger 1844(1844)
Medium oil on canvas
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Friedrich von Amerling Emperor Franz II 1832(1832)
Medium oil on canvas
Dimensions 260 x 164 cm (102.4 x 64.6 in)
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Friedrich von Amerling Portrait of Anton Ritter v before 1887(1887)
Medium oil on canvas
Dimensions 176 X 148 cm
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Friedrich von Amerling
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Austrian Academic Painter, 1803-1887,Austrian painter. He came from a family of craftsmen and studied (1815-24) at the Akademie der bildenden Kenste, Vienna, where one of his teachers was the conservative history painter Hubert Maurer (1738-1818). From 1824 to 1826 he attended the Academy in Prague, where he was taught by Josef Bergler. In 1827 and 1828 Amerling stayed in London, and he met the portrait painter Sir Thomas Lawrence, whose work was to be a strong influence on Amerling's painting during the next two decades. Amerling also travelled to Paris and Rome but was recalled to Vienna on an official commission to paint a life-size portrait of the emperor Francis I of Austria (Vienna, Ksthist. Mus.). With this work,
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